Cynthia Sley Dee Pop Laura Kennedy Pat Place . Things That Go Boom in the Night 3. [4] The follow-up, "Things That Go Boom in the Night", was issued in 1981 by Fetish Records, hitting No. Bush Tetras New York, New York. Stand up and Fight 12. Who's Gonna Pay 13. ", "Cindy Rickmond New Bassist for Bush Tetras", PUNKCAST#1076 Live video from Knitting Factory NYC, Photos of the Bush Tetras at the New York No Wave Photo Archive, thisisoffset Photos, videos and biog of the Bush Tetras, https://en.wikipedia.org/w/index.php?title=Bush_Tetras&oldid=991295143, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, "Things That Go Boom in the Night" 7" single (1981, Fetish Records), "Can't Be Funky" 7" single (1981, Fetish Records), "Page 18" 12" single (1996, Tim/Kerr Records), "Take the Fall" EP (2018, Wharf Cat Records), "There is a Hum" 7” (2019, Thirdman Records), Cynthia Sley - vocals (1979–1983, 1995–1998, 2005–present), Dee Pop - drums (1979–1983, 1995–1998, 2005–present), Laura Kennedy - bass (1979–1983, 1995–1998), This page was last edited on 29 November 2020, at 09:15. [1] Drummer Dee Pop also performs with improvisational jazz groups Radio I-Ching and Freedomland, and has performed or recorded with rock-oriented bands and artists including Floor Kiss, Immaculate Hearts, the Shams, Black Flies, John Sinclair, Jayne County, the Amazing Cherubs, Fur, Michael Karoli (Can), Richard Lloyd, James Chance, the Slits, Odetta, Gary Lucas, Bobby Radcliff, Patti Palladin, Darlene Love, Andy Shernoff, the Waldos, Nona Hendryx, Band of Outsiders, Lenny Kaye, Jahn Xavier and the Gun Club. She had been the original guitarist and one of the founding members of the no wave band The Contortions. "We had all settled down a bit and we started writing songs and jamming and we liked it. The Bush Tetras formed in 1979, and soon solidified with a lineup of Cynthia Sley (vocals), Pat Place (guitar), Laura Kennedy (bass) and Dee Pop (drums); vocalist Adele Bertei and guitarist Jimmy Joe Uliana were brief early members. "By 1983, (bassist) Laura (Kennedy) and Dee (Pop, drummer) left the band, and we were just living unmanageable lives," Place said about the three-year crash-and-burn cycle of the group. Das Ah Riot 9. Post-punk-Wikipedia Forming in 1979, they were very popular in the New York club scene in the early 1980s, but never had much mainstream success. Place had previously been the original guitarist and a founding member of the no wave band the Contortions, though the Tetras sound was less frantic and disjointed, and she had also appeared in some of Vivienne Dick's movies. ", ©2020 Viacom International Inc. ALL RIGHTS RESERVED. Now we can't wait to record these new songs... And then we'll do a really big tour. Place had previously been the original guitarist and a founding member of the no wave band the Contortions, though the Tetras sound was less frantic and disjointed,[1] and she had also appeared in some of Vivienne Dick's movies. But this a different era and Bush Tetras, though made up of the same members, is something of a different band. Bush Tetras are an American post-punk band from New York City, formed in 1979.They are best known for the 1980 song "Too Many Creeps", which exemplified the band's sound of "jagged rhythms, slicing guitars, and sniping vocals". A Bush Tetras “full-length” was whatever they played at each show. Genres: No Wave, Post-Punk, Dance-Punk. Bush Tetras discography and songs: Music profile for Bush Tetras. The album is a 13-track barrage of aggressive singing, spiked guitar, nakedly harsh and slightly-off drumming and post-punk angst that still sounds as darkly odd and powerful as it did more than a decade ago. 'No Wave' Bush Tetras Back In Action Gil Kaufman 07/21/1997. Laura Kennedy, the original bassist and co-founder of seminal no wave band Bush Tetras who has spent the past 12 years living in Minneapolis, passed away on Monday afternoon. No Wave traces the history of this noisy and uncompromising genre, from its most famous names down to its many offshoots and sidetracks. About Bush Tetras. Boom in the Night (Original Studio Recordings 1980-1983) by Bush Tetras, released 03 July 2020 1. There Is A Hum. discography. In 2018, they released an EP, Take the Fall, on Wharf Cat Records. alternative punk rock new york city no wave New York. I feel like I definitely brought that influence to the Bush Tetras and Dee was very good at … [3], The band's debut 7" EP, "Too Many Creeps", was released in 1980 on 99 Records. After the band's initial breakup, Sley joined up with Ivan Julian of Richard Hell and the Voidoids to form Lovelies. Legendary NYC no-wave group BUSH TETRAS are excited to announce "THERE IS A HUM" b/w "SEVEN YEARS," a new 7" to be released on Third Man Records. No Wave traces the history of this noisy and uncompromising genre, from its most famous names down to its many offshoots and sidetracks. New York City legends the Bush Tetras have been making paranoid, groove-centered post-punk since 1979, when Pat Place left James Chance and The Contortions to found the group with singer Cynthia Sley, bassist Laura Kennedy and drummer Dee Pop. She began to emerge again and even joined her former bandmates for a series of one-off reunion gigs in the late '80s, gigs that ended up being the catalyst for the reunion. Another live release, the cassette-only Wild Things (1983), was issued by ROIR. [8], In early 2016, Val Opielski (formerly of Krakatoa, Walking Hellos, PSXO and 1000 Yard Stare) joined the group on bass.[9]. The Bush Tetras: Boom In The Night. [1] Although they did not achieve mainstream success, the Bush Tetras were influential and popular in the Manhattan club scene and college radio in the early 1980s. By the time they disbanded, the quartet had released a string of singles and EPs (its first single, "Too Many Creeps," climbed to #57 on the Billboard dance chart), but never a full-length album. "Bush Tetras: Biography by Mark Deming. Place said she took several years off after the breakup to pursue her visual arts interests, even as those around her kept bugging her to get out and play. Bush Tetras were part of the New York no wave/post-punk era in the early 1980s, releasing early material on local labels ROIR (Reachout International Records) and 99 Records (2), as well as on Fetish Records. placeholder. They put out one percussive post-punk album, Mad Orphan (109 Records), in 1988. Original bassist Kennedy died on November 14, 2011, after a long battle with liver disease. [1] New York's post-punk revival of the 2000s was accompanied by a resurgence of interest in the genre, with the Tetras' influence heard in many of that scene's bands. In many ways, their recently-released full-length effort makes it seem like the group never left. Redeem code. But what seemed sort of arty and experimental then doesn't really seem that way now," said Place, "it seems poppier.". Apr 2018. contact / help. In 2005, they added bassist Julia Murphy and resumed performing in New York City. Without an ad hoc debut album during the ’80s, Boom In The Night compiled the 7 inches the dance-punk band released throughout the decade and used to command their live crowds. From early pioneers like Suicide and Richard Hell, to forgotten treasures like Red Transistor and Bush Tetras, and descendants like ESG and Sonic Youth, No Wave charts all the cracks and crevices of a surprisingly diverse movement. [6][7], In February 2013, Cindy Rickmond (formerly of Cheap Perfume, Grayson Hugh, Church of Betty and Unknown Gender) briefly replaced Murphy as the band's bassist. Two live tracks (a cover of John Lennon's "Cold Turkey" and "Punch Drunk") appeared on the 1981 Stiff Records compilation Start Swimming, documenting a one-night showcase of New York bands (also including the Bongos, the Raybeats and the dBs) at the Rainbow in London on February 20, 1981. Cowboys in Africa 2. "It just fell apart because everything happened so fast for the band and we were just burned out.". From the lurching slide bass tune "Dirty Little Secret" and thudding, funky rap/sung rocker "Satan is a Bummer," to the industrial-leaning gutter blues of "Color Green," Lies is hardly top-40 material. Their music combined dance rhythms and dissonant rock-guitar riffs. Bush Tetras is often characterized as one of the first women-centered bands to become synonymous with post-punk and no-wave music, and Vivien Goldman recently cited the band in a history of feminist punk. [1] ROIR issued a posthumous cassette-only collection, Better Late Than Never (Original Studio Recordings 1980-1983) in 1989. "This is the right moment for us," Place said about the group's reforming to support its new album Beauty Lies, the band's first release in more than a decade. When the dust settled, The Bongos and Bush Tetras emerged as favorites of the art scene and dance clubs. It reached No. The Rituals 12" EP, produced by Topper Headon of the Clash and including the popular "Can't Be Funky", was released in 1981 by Fetish in the UK and by Stiff Records in the U.S. MTV AND ALL RELATED TITLES AND LOGOS ARE TRADEMARKS OF VIACOM INTERNATIONAL INC. With its distorted guitar, I-don’t-give-a-fuck vocals and sluggish funky rhythms, Bush Tetras established themselves as part of the downtown Manhattan No Wave dance club scene. [1] Two other compilations were also issued, a CD version of Better Late Than Never retitled Boom in the Night (Original Studio Recordings 1980-1983) in 1995, and Tetrafied: Previously Released Recordings in 1996. Bush Tetras are an American post-punk band from New York City, formed in 1979. In 2008, she formed Command V with Pat Irwin (of the Raybeats and the B-52s), and Rachel Dengiz. [1], In 1998, they recorded an album with producer Don Fleming for Mercury Records, titled Happy, but it was shelved when Mercury was sold (the album was finally released in 2012 by ROIR).[1]. Most of the other No Wave bands were not groove-oriented. "It was interesting to use what we've learned in the meantime and bring it into the group. Snakes Crawl 5. New York City legends the Bush Tetras have been making paranoid, groove-centered post-punk since 1979, when Pat Place left James Chance and The Contortions to found the group with singer Cynthia Sley, bassist Laura Kennedy and drummer Dee Pop. 32 on the Billboard club chart.[1]. Take the Fall. Contact Bush Tetras. "In those days not every band had a record deal or an album. Group Members. Too Many Creeps 10. Though spared mainstream success in an era when female fronted groups in the charts were pop acts, the Tetras… The sound was atonal, abrasive and utterly new, combining elements of funk, jazz and just plain noise. In the 1984 Kiki Smith/Ellen Cooper Cave Girls (film), Bush Tetras music plays over long passages of out of focus, foggy, visually noisy, action. The Bush Tetras were prescient outliers on the New York underground music scene of the late '70s and early '80s. They are best known for the 1980 song "Too Many Creeps", which exemplified the band's sound of "jagged rhythms, slicing guitars, and sniping vocals". Streaming and Download help. Though spared mainstream success in an era when female fronted groups… The No Wave movement that flourished in the arts spaces of SoHo and TrBeCa brought in elements of noise, contorted funk, and the avant-garde. Other no wave-indebted artists such as Swans, Glenn Branca, Lydia Lunch, the Lounge Lizards, Bush Tetras, and Sonic Youth instead continued exploring the early scene's forays into noise and more abrasive territory. The Bush Tetras are a rock band from New York City. They toured Europe in summer 2006. The standard edition will be released on July 26, while the limited "Coke bottle clear" version will be available at … Moonlite 7. Jul 2019. Lead guitarist Pat Place and vocalist Cynthia Sley produced the most distinctive aspects of the Tetras sound. Place's guitar lines were rhythmic and distortion-filled. Find Bush Tetras bio, music, credits, awards, & streaming links on AllMusic - Scrappy, ... Alternative/Indie Rock Post-Punk Punk/New Wave No Wave Dance-Rock. 43 on the UK Indie Chart. You Can't Be Funky 4. bush tetras. bush tetras A collection of killer live recordings released by ROIR in 1983 (related: check the ROIR mailorder catalog included in the insert, yowza!). NYC no wave icons Bush Tetras are back with their first newly recorded record in 10 years — an EP titled Take the Fall which will be out via Wharf Cat on April 13. ", Ironically, Place said the group is eager to get back into the studio to record a batch of new songs, since many of the Lies songs had been sitting around for more than a year before they were put to vinyl. While their music was taut and aggressive like punk, Pat Place's guitar added an inspired dissonance that reflected her connections to the city's no wave scene (she worked with two of James Chance's better-known projects, the Contortions and James White & the Blacks). Kennedy and Pop left in 1983, replaced briefly by bassist Bob Albertson and drummer Don Christensen, but the band soon broke up. "We never released an album before because no one really offered," said Place about the mystery surrounding Bush Tetra's slight output. Now that they're back and with new songs to boot, Bush Tetras guitarist Pat Place is blaming the early-1980s band's short-lived career on the speed of the times and lack of experience. That single, which featured "Page 18" and "Find a Lie," both on the new album, made the musicians realize something had happened while they were on hiatus, said Place. Label: ROIR - A119 • Format: Cassette Album, Stereo White • Country: US • Genre: Rock • Style: No Wave Bush Tetras - Wild Things (1983, White, Cassette) | Discogs Explore "The first time we had a few gigs under our belt and then we had two years of constant touring and recording. While Laura Kennedy passed away in 2011, the current Bush Tetras lineup primarily reflects the band’s beginnings, with Val Opielski on bass. Rising out of the fertile "no wave" scene in New York in the late '70s, early '80s, which included acts such as Lydia Lunch, and James Chance & the Contortions (with whom Place once played), Bush Tetras blazed their own path with a fierce sound that mixed punk energy with African rhythms and a tribal dance beat. This song used to really set a party in motion back in 1980 when it was released as a single on the New York 99 record label. Dum Dum 11. [1] It reached No. The album, produced by former Labelle member Nona Hendryx, is bursting with dark, not particularly pop material. 57 on the Billboard club play chart. They released a self-titled album in 2012 on Mush Records. ... With a line-up featuring the Contortions, DNA, Mars, and Teenage Jesus and the Jerks, it spawned the No Wave scene. Submit Corrections. [2], The Bush Tetras formed in 1979, and soon solidified with a lineup of Cynthia Sley (vocals), Pat Place (guitar), Laura Kennedy (bass) and Dee Pop (drums); vocalist Adele Bertei and guitarist Jimmy Joe Uliana were brief early members. You Taste Like the Tropics 8. From early pioneers like Suicide and Richard Hell, to forgotten treasures like Red Transistor and Bush Tetras, and descendants like ESG and Sonic Youth, No Wave charts all the cracks and crevices of a surprisingly diverse movement. Albums include New York Noise: Dance Music From the New York Underground 1978-1982, Too Many Creeps / Snakes Crawl / You Taste Like the Tropics, and Rituals. Nightclubbing No Comments Nightclubbing | Bush Tetras, 1980. Bush Tetras on Facebook. No Wave traces the history of this noisy and uncompromising genre, from its most famous names down to its many offshoots and sidetracks. Emerging from New York's No Wave scene in the early 1980s, the Bush Tetras were a mostly female ensemble rendering urban primitive Funk in the same vein as James Chance and the Contortions. "We thought we'd never see each other again, so this whole thing is a fluke anyway. It was much harder to get one if you weren't a mainstream band. "It was the right moment for all of us," said Place about the recording that really set the whole thing in motion, a single produced by avowed fan and tattooed punk rocker Henry Rollins. Theoretically originating from the no-wave movement (Pat Place was a guitarist in the Contortions), Bush Tetras have actually more to do with punk-funksters Α Certain Ratio and Gang Οf Four. New York's Bush Tetras had a no wave link, via guitarist Pat Place's association with James Chance, but the band's sound was neither frantic nor disjointed enough to be properly categorized with those bands.They played scrappy post-punk, with fellow Americans Pylon and Konk and Brits Delta 5 and Au Pairs as close contemporaries. ", Rollins caught one of the band's shows last June, and, afterward, approached the members about putting out some old, unreleased material on his 2-13-61 label. Rituals 6. Basically, we were young and stupid.". Bush Tetras concocted one of the most groovy sounds of the new-wave era, and Rituals is probably their peak. We have our wits about us more now and I think we're all more accomplished musicians. about. We just didn't take care of ourselves, we didn't know how to balance everything, how to organize our time. [5], The original lineup of Bush Tetras reformed in 1995[1] and released the album Beauty Lies in 1997. [1] Although they did not achieve mainstream success, the Bush Tetras were influential and popular in the Manhattan club scene and college radio in the early 1980s. From early pioneers like Suicide and Richard Hell, to forgotten treasures like Red Transistor and Bush Tetras, and descendants like ESG and Sonic Youth, No Wave charts all the cracks and crevices of a surprisingly diverse movement. He also performed with jazz musicians Eddie Gale, Roy Campbell Jr., Marc Ribot, Mark Helias, Dick Griffin, Billy Bang, Borah Bergman and Hanuman Sextet. American post-punk band from New York City, formed in 1979 a fluke anyway Than never ( original Recordings! 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